Predictably Irrational: Review


After a long time, I was able to read a book, it’s called ‘Predictably Irrational’ by Dan Ariely.

(if you interested in few deals, please go through the 1st comment)

The author points at the following: no matter how logical/rational we are, there is an irrationality built-in a lot of us. For a huge lot of the society, it is fairly predictable.
And an upshot of it is: Companies producing consumer-goods piggyback on this predictable irrationality ingrained in each one of us, and make merry!

The author is a double-doctorate in Psychology and Behavioral Economics and is the winner of Ig Nobel Prize.
And if this doesn’t appeal to you enough, here’s my final attempt.
Here are my 5 top-most take back for from this book:

1) Let’s say, you see this price quotation:
-e-book for $59
-hard copy book for $125

Which one do you choose?
Provided one is comfortable with either of the reads, it’s likely one may choose $59 option.

Now, let’s add another option to the deal:
-e-book for $59
-hard copy book for $125
-both for $125.
What is your choice now? and why does your opinion change?

2) Which one do you use from the following:
– A $20 Gift Certificate discounted to $7
– A $10 Gift Certificate for FREE.

Did you notice that the first one is a better deal?

3) Remember those ’30 days money back’ offers?
Ever wondered if people start returning the products at the end of 30 days, will the business exist at the first place?

4) When you try to sell something, why the buyer’s quote is always lesser than what you are expecting?

5) Why the ambiance of a restaurant has an effect on the taste of your food? or Why an expensive pain-killer seem to be more effective than a cheaper one? (even though composition-wise they both may be the same)

And here’s a final punch of quotes from the book:

Rich now envy super-rich.

Free sex is the most expensive sex.

Money, as it turns out, is the most expensive way to motivate people.

War…Chhod Na Yaar: Review


‘War…Chhod Na Yaar’ is rudderless, spontaneous and childish.

Painting the soldiers on either side of India-Pakistan border as comic characters, this movie futilely emphasizes that none amongst the common public wants a war. The only lot interested in this arena are a few self-absorbed politicians and the super-powers of the World, desperate to make a living for their arm manufacturers.

Well meaning it may be but this has been known from ancient times.

Not only does so-called War-comedy movie trivializes anything and everything pertaining to war, it attempts an hilarious take on each aspect of a war. Entertaining it could have been had the director of the movie pitched in with laughter from voice over.

The movie relentlessly takes ludicrous pot-shots on the quality of goods ‘Made in China’, from small gizmos to grenades. Regrettably, most such dialogues are reminiscent of similar ‘shared’ jokes on facebook.

Swallow this offbeat one: The ‘Newclear Bomb’, once shot from Pakistan and landed in India, would squirt dandruff in abundance paving way for China to introduce its anti-dandruff products in India.

This, to me, is radio humour and produces guffaw only while driving.

The movie goes on to declare the advent of India-Pakistan talks of peace and brotherhood into the life of youngsters. A bunch of jobless youngsters in either countries keep track of developments across the border and consequently keep prompt one amongst them: apne wahan ke friend se poochh ki udhar kya khabar hai?!
Internet is a game-changer communication tool for the youth, you see.

Nevertheless, ‘War…Chhod Na Yaar’ maintains a strange consistency pioneered by Bollywood. It flawlessly showcases Pakistani Army men as malnutrition-stuck, shabbily-dressed duds. No prizes for guessing how smart even our jawaan is!

A second-grade lead would have been a perfect pick for the forgettable role played by Sharman Joshi. Soha Ali Khan is wan, wilted and wasted. Dilip Tahil, Javed Jaffery and a few side-kicks attempt their best to entertain you but a compulsively poor script, uncompromisingly casual dialogues and dissuading music are more to be blamed for the catastrophe than anyone on screen.

I woefully regret on not cashing on the golden opportunity I had before the movie on saving my money for one ticket.

For those sad souls who haven’t had anything to laugh upon for a while now, this one is good bet! It convincingly does so, at exactly four occasions lasting cumulatively for about a minute.

I am being generous in granting this movie 1 out of 5 solely on this aspect.

Lucia: Review


Here’s a review of a Kannada movie titled ‘Lucia’. Into its 5 week now, the movie is still playing to substantially filled theatres. (Those interested in watching the movie, can check the 2nd comment on this post!)

Lucia is fresh and unique, especially when you belong to the Southern portion of this country and even more so, if you don’t. In recent times, few Bollywood flicks and repeated Hindi-dubbed movies from South India featured on television channels have type-casted the industry as one producing low-quality, tumultuous entertainers.
Amongst this, and refer the footnote in the 1st comment, Lucia comes as a valiant attempt to arrest the comprehensive slide of Kannada Movie Industry.

This crime, suspense, dream-psychological thriller is a story of a ‘torch-shiner’ (usher) Nikki, working in a unfrequented, forlorn cinema theatre in Bangalore. His eventless life filled with insomnia turns around when he is initiated to a pill called ‘Lucia’. The pill takes him to the world of planned, sequential dreams — a world that has fame, name, love, etc. much opposite to his real life.

To bring in a serious twist to this amusing backdrop, there is an ongoing police investigation that has stark resemblances with the dream and real life of Nikki.
Such is the level of indulgence Lucia commands that as the movie alternates between these three threads, you also take quick-breaks to discuss the on-screen depictions with people around you.

A few yet subtle real life depictions bring in a hilarious punch: A senior cop tells the investigating officer that here’s some detective from Mumbai who will help you in this case. The officer, with a rebuke on his face directed at the outsider, asks back, “Will he speak Kannada?” Another, mostly unintended, is the repeated depiction of an uninhabited Papa Jones Pizza outlet. That, comic it may be, is directly flicked from real life!

Whereas Lucia brings in the promise of quality cinema to the localities it stays close to clichés as well . The movie is over-stretched with predictable sequences, and in the end, there is too much to tie-up together. One who love detailing will be left asking for more.

Half-way into the movie, you recognize and realize that there are actors who are playing double role in the movie. Was it meant to be this way or intended to be kept secret, I am not sure!

All in all, Lucia, watchable for its plot and for some finessing performances, eventually handles itself in a fairly graceful manner.

A comparison with Kahaani may be injustice to this crowd-funded movie made on a shoe-string budget of 70L.

A well deserved 3 out of 5 from my side and for audiences of any language, it’s a good watch!